The Descent, written and directed by Neil Marshall, was a revelation in 2005. Watching it again on DVD, I found it to still be a tight fit. It begins with a shock to the system, or two, and rapidly devolves into an exercise in claustrophobia.
One that manages to leave me feeling a tad panicky and breathless, despite having watched it numerous times over the years.
blown away
My daughter and I watched it initially and both of us were blown away by the mood and the many changes that Marshall manages to manufacture in the film. In terms of unique and “outside the box” horror, this talented maestro knocks it out of the metaphorical park. (The original viewing of this horror film was back in approximately 2007.)
(I will admit to being an unabashed fanboy of Marshall. This is, after all, the same man who brought us the wonderfully weird and and delightful Dog Soldiers, as well as my “go-to” sci-fi/thriller fix, Doomsday.)
Back to The Descent
The ladies are an interesting bunch with Juno; (Natalie Mendoza) as the one who seems to be guaranteed as the “final girl.” Sarah; (Shauna Macdonald) whose mind is a myriad of mixed emotions. Beth; (Alex Reid) is the observer who sets a certain chain of events in motion. These three head up this ensemble effort. The dynamic between these three and its messy interlude, runs alongside the main plot, after it makes its appearance, and shows the true depth of this movie’s story.
Marshall allows us an “out,” if you will, early on in the film. The MyAnna Buring character talks of the dangers of Spelunking. She mentions hallucinations, dehydration, and disorientation as just a few of the long list of problems that exploring deep under the earth can cause. By the film’s end, it is all too easy to contemplate a scenario where Sarah has dreamed the whole thing up.
Juno’s affair with Sarah’s late husband. The blind cannibalistic cave creatures. The end battle between Juno and Sarah could all be a construct of a deluded woman. One who still needs medication after the horrific death of her husband and child. Medication she forgets to bring into the cave with her. Sarah being stuck in that narrow and somewhat heart stopping passage between caves. Is it such a stretch to imagine that the poor woman remained trapped there and had an intense Bardo moment?
That Tight feeling
It is interesting to note that the entire film leaves one with a tight feeling in the chest. A certain breathlessness and a slight sense of panic. After that first “jump scare” *I still cannot follow a vehicle with a load of copper, or any type of, pipes in the back without an uneasy feeling that borders on paranoia. Not too dissimilar to my long acting reaction to log trucks.* Along with the final shot of Sarah’s apparent demise, the ride is incredibly tortuous and stressful. I am not, as a rule, claustrophobic. But Marshall’s offering, from start to finish, certainly puts me in that place.
The Verdict
Despite being over 15 years old, The Descent still manages to entertain and put the audience in a very uncomfortable place. This is a full 5 star roller coaster ride of fun. It is available to watch, for free, on Plex, Tubi and Pluto TV. If you have not had the opportunity to watch this, or for that matter, the other aforementioned Marshall films, I would highly recommend checking it/them out.
The trailer
